A blog devoted to my reads, scrapbook pages, and other areas of interest.

Name: Alyssa
Location: Utah, United States

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I'm a reader, reviewer, and published author at Cobblestone Press. In this blog, I focus mainly on the books I read: primarily romance in almost every subgenre, with the occasional true-crime book thrown in for a little variety.

When I'm not writing, I enjoy preserving my photos through the art of scrapbooking. I also love scented candles, though of course I don't burn them too close to my books or scrapbooking supplies. :) I also enjoy watching A&E programs such as Cold Case Files and American Justice.

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Tuesday, November 27, 2007

You Had Me at Halo

I won Amanda Ashby's You Had Me at Halo in a recent contest. When I read it, I discovered it was a real treat: 4 out of 5.

Holly Evans has just seen her own body laid to rest, and if it had been up to her, she wouldn't have chosen that particular dress for the event. Still, she could live with that (so to speak), if it guaranteed a quick jump to Level 3 of the afterlife, which she hopes will feature both reruns of Friends and reunions with long-lost loved ones.

But Holly has some mortal baggage to unload first, starting with the matter of how she died. Yes, she drowned in her bathtub under suspicious circumstances, but she did not kill herself. Holly had too much to live for, from her recent promotion to taking the next big step in her relationship. OK, her life had a few loose ends, but whose doesn't? Holly's heavenly shrink isn't buying it. He says she has to return to Earth to staighten things out. The problem is, she'll need to borrow someone's body to do so, and the body in questiion to none other than computer geek Vince Murphy. Oh, and although Vince was supposed to have vacated the premises, he apparently never got the memo.

Now Holly has forty-eight hours to resolve her issues while sharing arms, legs, and . . . other things with a guy she barely noticed when she was alive. But the real surprise is what life has to offer when you have only two days to live it.

You Had Me at Halo is a delightful story about Holly's search to discover what happened to her and her struggle to resolve some of the things in her life. As the blurb and cover suggest, this is a story with a lot of humor. The scenes where Holly, in Vince's body, has to convince her friend that she's still alive. Sort of.

There's definitely some humor about what happens when two people share a body. And Vince . . . I simply adored him. What a sweetheart! He's a wonderful illustration of the idea that still waters run deep. He helps her throughout her search for answers.

You may wonder if a happy ending is possible in such a scenario. Wonder no longer: it is. I was generally pleased with the ending (spoiler ahead), although I wished Vince hadn't lost his memory of their time together in the process.

Ashby has created a story that's sweet and fun. I'm looking forward to seeing what she comes up with next.

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Sunday, November 18, 2007

What I'm Doing This Month



I'm participating in National Novel Writing Month for the third year in a row. Ah, the joy. And sometimes the pain. I've set myself a lofty word-count goal for the day. We'll see how that goes.

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Saturday, November 17, 2007

If I Did It

You've probably heard about O.J. Simpson's book, If I Did It. When I learned the Goldman family had rights to it and planned to publish it, I put it on hold at the library. A few weeks ago, I was notified that the book was available. I had mixed feelings about it then, and I have mixed feelings even after reading the book.

Nevertheless, here are my thoughts about it.

The book starts with a chapter from the Goldman family. It affirms their belief that Simpson killed their son. The new subtitle of this book is Confessions of the Killer. It doesn't get much plainer than that. This chapter also explains the reason they decided to publish the book.

The options are still the same--do nothing or fight. Our attempts to enforce this judgment have never been about lining our pockets or "cashing in," or exploited Ron's death: it is our legal right. But from an emotional standpoint, it is about taking from him, it's about making him feel the impact of what he did. It's about hitting him where it hurts--his pockets, his livelihood. Some people have accused us of having vengeful motives but it is not about revenge, and we are not going to apologize for wanting him to fee a tenth of what we feel every day. We have suffered a great deal and want to see some measure of justice, in whatever form it must take.

The part of the book I found most interesting is the prologue, written by ghostwriter Pablo Fenjves. Here's his first meeting with Simpson.

I kept waiting for the attorney to ask me about my history with O.J., but he never did. Ten years, earlier, during the criminal trial, I testified for the prosecution. I had described the "plaintive wail" of Nicole's dog, and Marcia Clark used the information to try to establish a timeline for the murders.

He gestured toward the empty chair beside him, and before I'd even settled in he said, "Tell me something. What is this 'wailing dog' bullshit? You ever hear of anyone putting a man away based on the testimony of a wailing dog?"

Okay. I got the message. He remembered me from the trial, and he wanted me to know he remembered. Or maybe he didn't remember, but someone in his camp had the sense to Google me before I flew down.

I thought it was fascinating that Fenjves was part of the case. Now he would write Simpson's story. The book was written based on several taped interviews.

At one point, he said, "You know what kills me? All the goddamn people who assumed I was guilty before they'd even heard my side." He looked dead at me, waiting for a comment. We were alone in the hotel suite, and I looked at his hands. They were bigger than my head.

With six words, Fenjves get a sense of Simpson's size--and physical threat--that stays in the mind as the book continues. Along with this.

O.J. looked suddenly upset. "I don't know what the hell you want from me," he said. "I'm not going to tell you that I sliced my ex-wife's neck and watched her eyes roll up into her head."

Then there are subtler moments like this one:

Now that we were done with the worst of it, or as done as we were going to be, O.J. became suddenly more voluble. He provided details about the drive home, for example, and actually corrected me when I said I thought he'd driven through the red light at Bundy and Montana. "I didn't go to the light at Montana. Why would I have gone there? I took a left at the end of the alley and went up Gretna Green to San Vincente, and from there to Sunset."

He must have seen the look on my face. "Or that's the way I woulda gone."


And here are the final words of the prologue: "You've read the story. This is the book. Judge for yourself."

I've read the book. I believe Simpson is guilty of both murders, and my opinion didn't change as I read. It's a well-written story. Nevertheless, I wish I hadn't written it, and I'll try to explain why.

In one respect, the story told here is a familiar one. It's familiar because it was splashed in the news at the time, but it's also familiar to someone who has read a lot of true-crime books. Boy meets girl, boy falls for girl, boy gets girl, boy loses girl, boy refuses to let girl go. Simpson's contention, of course, is that he wasn't obsessed. In fact, he knew it wasn't going to work out with Nicole a few months into their latest reconciliation. Which, of course, she initiated.

There's a chapter in the book called The Two Nicoles. If you've read any true-crime, you'll know where this is going. There were two Nicoles--one was good and kind and loving. The other Nicole was the opposite. His thinking: if only she could have stayed the one Nicole, everything would have been great. I believe that perpetrators often use the two personality metaphor because that is, in effect, what they are. They have a public face, the one people see and think, "How could that person do this?" Then there's the other side, the one their victims see.

A chapter called The Night in Question is the one this book was written for. It descripes the night of the murder. "Now picture this--and keep in mind, this is hypothetical." Simpson was driven to the edge by an acquaintance named Charlie, who came to his house and told him about some party Nicole had apparently attended a few months before.

"O.J., man--I'm not the enemy here."

I turned round, fuming, and tried to count to ten. I didn't make it. By the time I got to three I realized that Charlie was right. He wasn't the enemy. Nicole was the enemy.

If you're expecting details, you don't get them. One moment, Simpson is confronting Ron Goldman, who is trying to diffuse the situation. The next, Simpson realizes he is covered in blood and makes his getaway. Charlie disappears soon thereafter.

The rest of the book takes us through the accusations, the Bronco chase, and the arrest. And that's where it ends.

I suppose I was hoping for more enlightenment, though since the book is from Simpson's POV, it's no surprise that the enlightenment just isn't there. Nor is there really indirect enlightenment, anything to be learned by reading. He doesn't provide anything new here, except negative comments about Nicole, his ex-wife and the mother of his children.

A woman who isn't alive to share her point of view.

And that's why I wish I hadn't read his story and why I wish it hadn't been published. I understand the Goldman's desire to take something away from Simpson after what he did. Ron is shown very, very briefly in this book. He plays the role of hero--someone who steps in to try and help someone else and was cut down for it.

Nicole was also a victim, and Simpson's descriptions of her in this book victimize her again.

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